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89,89 €
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Milan Kundera's Fiction
Milan Kundera's Fiction
80,90
89,89 €
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In Milan Kundera's Fiction: A Critical Approach to Existential Betrayals, Karen von Kunes traces Kundera's literary aspirations to a single episode in Czechoslovakia in the Stalinist era. This moment attracted international attention when a 1950 police report was released in 2008. Reporters rushed to judgment, accusing Kundera of denouncing Miroslav Dvořáček to the police, resulting in Dvořáček's immediate arrest and sentencing to hard labor. von Kunes debunks this shockin…
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  • Publisher:
  • ISBN-10: 1498510825
  • ISBN-13: 9781498510820
  • Format: 15.4 x 23.2 x 1.4 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

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In Milan Kundera's Fiction: A Critical Approach to Existential Betrayals, Karen von Kunes traces Kundera's literary aspirations to a single episode in Czechoslovakia in the Stalinist era. This moment attracted international attention when a 1950 police report was released in 2008. Reporters rushed to judgment, accusing Kundera of denouncing Miroslav Dvořáček to the police, resulting in Dvořáček's immediate arrest and sentencing to hard labor. von Kunes debunks this shocking charge in a systematic way and argues that Kundera reported a suitcase, not a man. She ties Kundera's dominant themes of sex, betrayal, and political denouncement to the suitcase, a fatal instrument that can lead to paradoxes and unforeseen and catastrophic coincidences for his characters.

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  • Author: Karen Von Kunes
  • Publisher:
  • ISBN-10: 1498510825
  • ISBN-13: 9781498510820
  • Format: 15.4 x 23.2 x 1.4 cm, minkšti viršeliai
  • Language: English English

In Milan Kundera's Fiction: A Critical Approach to Existential Betrayals, Karen von Kunes traces Kundera's literary aspirations to a single episode in Czechoslovakia in the Stalinist era. This moment attracted international attention when a 1950 police report was released in 2008. Reporters rushed to judgment, accusing Kundera of denouncing Miroslav Dvořáček to the police, resulting in Dvořáček's immediate arrest and sentencing to hard labor. von Kunes debunks this shocking charge in a systematic way and argues that Kundera reported a suitcase, not a man. She ties Kundera's dominant themes of sex, betrayal, and political denouncement to the suitcase, a fatal instrument that can lead to paradoxes and unforeseen and catastrophic coincidences for his characters.

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