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47,19 €
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Margaret Preston
Margaret Preston
42,47
47,19 €
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Margaret Preston, Australia's best-loved woman painter, was a 'red-headed little firebrand.'In argument, she was obstinate: 'Everything sparkled and shook when she was around.'In practice, experimental: still-life was the 'laboratory table on which aesthetic problems can be isolated.'In theory, direct and uncompromising: 'Be Aboriginal.'Elizabeth Butel traces Preston's struggle for artistic and financial independence, as well as her travels throughout the world and Aboriginal Australia in searc…
47.19
  • Publisher:
  • ISBN-10: 1875892028
  • ISBN-13: 9781875892020
  • Format: 21.6 x 21.6 x 0.8 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Margaret Preston (e-book) (used book) | Elizabeth Butel | bookbook.eu

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Margaret Preston, Australia's best-loved woman painter, was a 'red-headed little firebrand.'

In argument, she was obstinate: 'Everything sparkled and shook when she was around.'

In practice, experimental: still-life was the 'laboratory table on which aesthetic problems can be isolated.'

In theory, direct and uncompromising: 'Be Aboriginal.'


Elizabeth Butel traces Preston's struggle for artistic and financial independence, as well as her travels throughout the world and Aboriginal Australia in search of inspiration for her art. Her conclusions - that Margaret Preston's vision is as fresh today as it was sixty years ago.

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  • Author: Elizabeth Butel
  • Publisher:
  • ISBN-10: 1875892028
  • ISBN-13: 9781875892020
  • Format: 21.6 x 21.6 x 0.8 cm, minkšti viršeliai
  • Language: English English

Margaret Preston, Australia's best-loved woman painter, was a 'red-headed little firebrand.'

In argument, she was obstinate: 'Everything sparkled and shook when she was around.'

In practice, experimental: still-life was the 'laboratory table on which aesthetic problems can be isolated.'

In theory, direct and uncompromising: 'Be Aboriginal.'


Elizabeth Butel traces Preston's struggle for artistic and financial independence, as well as her travels throughout the world and Aboriginal Australia in search of inspiration for her art. Her conclusions - that Margaret Preston's vision is as fresh today as it was sixty years ago.

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