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Making a Good Script Great
19,16 € 
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Making a Good Script Great takes you through the whole screenwriting process—from initial concept through final rewrite—providing specific methods that will help you craft tighter, stronger, and more salable scripts.In this expanded, revised, and updated third edition, Linda Seger removes the chapter on myth, covered more thoroughly in other books, and adds three new chapters: discussions of point of view and of creating cinematic images and dialogue, and a new case study of screenwriter Paul H…
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- Author: Linda Seger
- Publisher: Silman-James Press
- Year: 2010
- Pages: 252
- ISBN-10: 1935247018
- ISBN-13: 9781935247012
- Format: 13.7 x 21.3 x 2.3 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
Making a Good Script Great takes you through the whole screenwriting process—from initial concept through final rewrite—providing specific methods that will help you craft tighter, stronger, and more salable scripts.In this expanded, revised, and updated third edition, Linda Seger removes the chapter on myth, covered more thoroughly in other books, and adds three new chapters: discussions of point of view and of creating cinematic images and dialogue, and a new case study of screenwriter Paul Haggis.
The promotion ends in 
- Author: Linda Seger
- Publisher: Silman-James Press
- Year: 2010
- Pages: 252
- ISBN-10: 1935247018
- ISBN-13: 9781935247012
- Format: 13.7 x 21.3 x 2.3 cm, minkšti viršeliai
- Language: English English
Making a Good Script Great takes you through the whole screenwriting process—from initial concept through final rewrite—providing specific methods that will help you craft tighter, stronger, and more salable scripts.
In this expanded, revised, and updated third edition, Linda Seger removes the chapter on myth, covered more thoroughly in other books, and adds three new chapters: discussions of point of view and of creating cinematic images and dialogue, and a new case study of screenwriter Paul Haggis.
In this expanded, revised, and updated third edition, Linda Seger removes the chapter on myth, covered more thoroughly in other books, and adds three new chapters: discussions of point of view and of creating cinematic images and dialogue, and a new case study of screenwriter Paul Haggis.
Reviews