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Description
The subjective camera encompasses the point of view in its multiple narrative, enunciative and audiovisual implications. With its growing presence as an expressive and narrative resource in contemporary audiovisual, the first person shot expands the meaning and dimension of the classic subjective camera, relating technique and technology in the aesthetics of the subjective point of view, relating film narrative and spectator.
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The subjective camera encompasses the point of view in its multiple narrative, enunciative and audiovisual implications. With its growing presence as an expressive and narrative resource in contemporary audiovisual, the first person shot expands the meaning and dimension of the classic subjective camera, relating technique and technology in the aesthetics of the subjective point of view, relating film narrative and spectator.
Reviews