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- Author: Cecil Touchon
- Publisher: Lulu.com
- ISBN-10: 179470650X
- ISBN-13: 9781794706507
- Format: 15.2 x 22.9 x 0.8 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Listening with the Eye - An Asemic Notebook - Volume 2 (e-book) (used book) | bookbook.eu
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Description
These works might be called automatic writing or visual writing or asemic writing. There is no intention to tell a story or to use any recognizable language or symbols. Rather the works function freely with intuition rather than thought, allowing the hand to just do what the hand does; make marks. There is a kind of visual vocabulary however, such as letter-like marks, punctuation-like marks such as chevrons, commas, accents, dashes and dots, the organization for the most part is in lines of markings to suggest a reading of progression. Some are lyrical and look almost like what a visual music score might look like. I experimented with different rhythmic motions, different ways of holding the tool, sometimes in silence and at other times while listening to music. Sometimes I would watch closely as the work unfolded and at other times allowing my hand to move along the page unobserved in order to see what would happen.
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- Author: Cecil Touchon
- Publisher: Lulu.com
- ISBN-10: 179470650X
- ISBN-13: 9781794706507
- Format: 15.2 x 22.9 x 0.8 cm, softcover
- Language: English English
These works might be called automatic writing or visual writing or asemic writing. There is no intention to tell a story or to use any recognizable language or symbols. Rather the works function freely with intuition rather than thought, allowing the hand to just do what the hand does; make marks. There is a kind of visual vocabulary however, such as letter-like marks, punctuation-like marks such as chevrons, commas, accents, dashes and dots, the organization for the most part is in lines of markings to suggest a reading of progression. Some are lyrical and look almost like what a visual music score might look like. I experimented with different rhythmic motions, different ways of holding the tool, sometimes in silence and at other times while listening to music. Sometimes I would watch closely as the work unfolded and at other times allowing my hand to move along the page unobserved in order to see what would happen.
Reviews