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1983. A Razorblade Boy, lead singer with an obscure industrial band. A Dead Girl, a wandering, bruised waif living on the edge of madness. One's the voice of youth - the other, the mother of the next Savior of the human race. But there's a problem - the Dead Girl was only meant to produce the Savior, not fall in love with the Razorblade Boy. That means trouble for All-God - catastrophic trouble, with cosmic repercussions. The Dead Girl, All-God's most beloved and most damaged of all his creations, becomes a beacon of assault for all those beings of Light and unLight, and her fall into spiritual decline threatens to unleash forces beyond even the comprehension of the most enlightened human. The Angels of the Apocalypse are standing in the wings, just waiting for the trigger.... the Razorblade Boy or the Savior - which is it to be?
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1983. A Razorblade Boy, lead singer with an obscure industrial band. A Dead Girl, a wandering, bruised waif living on the edge of madness. One's the voice of youth - the other, the mother of the next Savior of the human race. But there's a problem - the Dead Girl was only meant to produce the Savior, not fall in love with the Razorblade Boy. That means trouble for All-God - catastrophic trouble, with cosmic repercussions. The Dead Girl, All-God's most beloved and most damaged of all his creations, becomes a beacon of assault for all those beings of Light and unLight, and her fall into spiritual decline threatens to unleash forces beyond even the comprehension of the most enlightened human. The Angels of the Apocalypse are standing in the wings, just waiting for the trigger.... the Razorblade Boy or the Savior - which is it to be?
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