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Description
This book explores the female perspective in post-socialist Russia as conveyed in two films by Hamburg-based artist Lene Markusen (born 1973). The book includes drawings, stills and script excerpts from her films GRAD (2004) and Sankt: Female Identities of the Post-Utopian (2017).
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This book explores the female perspective in post-socialist Russia as conveyed in two films by Hamburg-based artist Lene Markusen (born 1973). The book includes drawings, stills and script excerpts from her films GRAD (2004) and Sankt: Female Identities of the Post-Utopian (2017).
Reviews