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Left Half Harmon
Left Half Harmon
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At a few minutes past three o'clock on a particularly warm afternoon in late September of last year three boys removed themselves and their luggage from the top of a Fifth Avenue stage in New York City and set forth eastward along Forty-second Street. Although decidedly dissimilar in looks and slightly dissimilar in build, they showed, nevertheless, a certain uniformity of carriage and action and, to a lesser degree, of attire. There was nothing strange in that, however, since, for the last two…
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Left Half Harmon (e-book) (used book) | Ralph Henry Barbour | bookbook.eu

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At a few minutes past three o'clock on a particularly warm afternoon in late September of last year three boys removed themselves and their luggage from the top of a Fifth Avenue stage in New York City and set forth eastward along Forty-second Street. Although decidedly dissimilar in looks and slightly dissimilar in build, they showed, nevertheless, a certain uniformity of carriage and action and, to a lesser degree, of attire. There was nothing strange in that, however, since, for the last two years, at least, they had spent nine months of the twelve in the same place, at the same pursuits and under the same discipline. The likeness of attire was less in material and color than in a certain tasteful avoidance of the extremes. Joe Myers and Martin Proctor wore blue serge and Bob Newhall a brownish-gray tweed, and in no case was the coat snugged in to the figure or adorned with a belt in conformity to the dictums of the Rochester school of sartorial art. Joe and Bob wore gray-and-gold ribbons about their straw hats, Martin a plain black.

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At a few minutes past three o'clock on a particularly warm afternoon in late September of last year three boys removed themselves and their luggage from the top of a Fifth Avenue stage in New York City and set forth eastward along Forty-second Street. Although decidedly dissimilar in looks and slightly dissimilar in build, they showed, nevertheless, a certain uniformity of carriage and action and, to a lesser degree, of attire. There was nothing strange in that, however, since, for the last two years, at least, they had spent nine months of the twelve in the same place, at the same pursuits and under the same discipline. The likeness of attire was less in material and color than in a certain tasteful avoidance of the extremes. Joe Myers and Martin Proctor wore blue serge and Bob Newhall a brownish-gray tweed, and in no case was the coat snugged in to the figure or adorned with a belt in conformity to the dictums of the Rochester school of sartorial art. Joe and Bob wore gray-and-gold ribbons about their straw hats, Martin a plain black.

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