- We will send in 10–14 business days.
/images/books/13536747/9788771842302.jpg)
- Author: Bodil Marie Stavning Thomsen
- Publisher: Aarhus University Press
- ISBN-10: 8771842306
- ISBN-13: 9788771842302
- Format: 16.3 x 23.9 x 2.8 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Lars Von Trier's Renewal of Film 1984-2014 (e-book) (used book) | bookbook.eu
Reviews
Description
Danish director Lars von Trier has produced more than 20 films since his first appearance with The Elements of Crime in 1984. One of the most acknowledged - and most controversial - film directors of our time, Trier's films often escape the representational production of meaning. In Lars von Trier's Renewal of Film 1984-2014. Signal, Pixel, Diagram scholar Bodil Marie Stavning Thomsen offers a comprehensive discussion of Lars von Trier's collected works. Examining Trier's experiments with narrative forms, genre, camera usage, light, and colour tones, she shows how Trier's unique ethically involving style activates the viewer's entire perception apparatus. In understanding this affective involvement, the author frames the discussion around concepts from Gilles Deleuze, Alois Riegl, Brian Massumi and others on the haptic image, the diagram, affect and the signaletic material.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 22d.22:13:33
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Bodil Marie Stavning Thomsen
- Publisher: Aarhus University Press
- ISBN-10: 8771842306
- ISBN-13: 9788771842302
- Format: 16.3 x 23.9 x 2.8 cm, minkšti viršeliai
- Language: English English
Danish director Lars von Trier has produced more than 20 films since his first appearance with The Elements of Crime in 1984. One of the most acknowledged - and most controversial - film directors of our time, Trier's films often escape the representational production of meaning. In Lars von Trier's Renewal of Film 1984-2014. Signal, Pixel, Diagram scholar Bodil Marie Stavning Thomsen offers a comprehensive discussion of Lars von Trier's collected works. Examining Trier's experiments with narrative forms, genre, camera usage, light, and colour tones, she shows how Trier's unique ethically involving style activates the viewer's entire perception apparatus. In understanding this affective involvement, the author frames the discussion around concepts from Gilles Deleuze, Alois Riegl, Brian Massumi and others on the haptic image, the diagram, affect and the signaletic material.
Reviews