39,95 €
44,39 €
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Keep the Aspidistra Flying
Keep the Aspidistra Flying
39,95
44,39 €
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Keep the Aspidistra Flying, first published in 1936, is a socially critical novel by George Orwell. It is set in 1930s London. The main theme is Gordon Comstock's romantic ambition to defy worship of the money-god and status, and the dismal life that results. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his…
44.39
  • Publisher:
  • ISBN-10: 9390575400
  • ISBN-13: 9789390575404
  • Format: 15.2 x 22.9 x 1.6 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Keep the Aspidistra Flying (e-book) (used book) | bookbook.eu

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Keep the Aspidistra Flying, first published in 1936, is a socially critical novel by George Orwell. It is set in 1930s London. The main theme is Gordon Comstock's romantic ambition to defy worship of the money-god and status, and the dismal life that results. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself.

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  • Author: George Orwell
  • Publisher:
  • ISBN-10: 9390575400
  • ISBN-13: 9789390575404
  • Format: 15.2 x 22.9 x 1.6 cm, minkšti viršeliai
  • Language: English English

Keep the Aspidistra Flying, first published in 1936, is a socially critical novel by George Orwell. It is set in 1930s London. The main theme is Gordon Comstock's romantic ambition to defy worship of the money-god and status, and the dismal life that results. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself.

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