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- Author: Farah Karim-Cooper
- Publisher: Oneworld Publications
- Year: 2024
- Pages: 336
- ISBN-10: 0861548094
- ISBN-13: 9780861548095
- Format: 13 x 19.5 x 3 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
How is Shakespeare still relevant as titans of white Western history are challenged?
Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his plinth to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.
Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.
The promotion ends in 
- Author: Farah Karim-Cooper
- Publisher: Oneworld Publications
- Year: 2024
- Pages: 336
- ISBN-10: 0861548094
- ISBN-13: 9780861548095
- Format: 13 x 19.5 x 3 cm, minkšti viršeliai
- Language: English English
How is Shakespeare still relevant as titans of white Western history are challenged?
Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his plinth to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.
Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.
Reviews