27,08 €
30,09 €
-10% with code: EXTRA
In the Perennial Garden
In the Perennial Garden
27,08
30,09 €
  • We will send in 10–14 business days.
Blisters, thorns, insect bites and sunburn are almost discernible in the lines of poetry that relate a life of engagement with the land and water of coastal Savannah. Ann Sheils, and many generations of her family, have lived a life informed by the perennial garden that is the world. Ann was given her first boat and motor at 12, and before that learned camellia grafting from her grandfather--activities that transformed her appreciation of both the real world and the insubstantial one that under…
30.09
  • Publisher:
  • ISBN-10: 1635341213
  • ISBN-13: 9781635341218
  • Format: 14 x 21.6 x 0.3 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

In the Perennial Garden (e-book) (used book) | Ann Sheils | bookbook.eu

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Blisters, thorns, insect bites and sunburn are almost discernible in the lines of poetry that relate a life of engagement with the land and water of coastal Savannah. Ann Sheils, and many generations of her family, have lived a life informed by the perennial garden that is the world. Ann was given her first boat and motor at 12, and before that learned camellia grafting from her grandfather--activities that transformed her appreciation of both the real world and the insubstantial one that underlies it, and that taught the need for a "compromised flowering."

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  • Author: Ann Sheils
  • Publisher:
  • ISBN-10: 1635341213
  • ISBN-13: 9781635341218
  • Format: 14 x 21.6 x 0.3 cm, minkšti viršeliai
  • Language: English English

Blisters, thorns, insect bites and sunburn are almost discernible in the lines of poetry that relate a life of engagement with the land and water of coastal Savannah. Ann Sheils, and many generations of her family, have lived a life informed by the perennial garden that is the world. Ann was given her first boat and motor at 12, and before that learned camellia grafting from her grandfather--activities that transformed her appreciation of both the real world and the insubstantial one that underlies it, and that taught the need for a "compromised flowering."

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