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In Memoriam, The Princess, And Maud (1902)
In Memoriam, The Princess, And Maud (1902)
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Excerpt from In Memoriam; The Princess; Maud The pioneer of a critical edition of Tennyson's poems is little to be envied. Never since Milton has a poet been so fastidiously scrupulous about the minutiae of expression and language, about the exact forms of inflexion, about spelling, about the collocation of vowels and consonants, about the use of small or capital letters, about the use of italics, about punctuation. It is well known that Milton ordered the substitution of "hundreds" for "hunder…
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Excerpt from In Memoriam; The Princess; Maud
The pioneer of a critical edition of Tennyson's poems is little to be envied. Never since Milton has a poet been so fastidiously scrupulous about the minutiae of expression and language, about the exact forms of inflexion, about spelling, about the collocation of vowels and consonants, about the use of small or capital letters, about the use of italics, about punctuation. It is well known that Milton ordered the substitution of "hundreds" for "hunderds" in Paradise Lost, i. 760, and the substitution of "we" for "wee" in book ii. 414 of the same poem, to be noted specially as errata, and that he studied with the nicest care the forms of "thir" and "their," insisting importunately on the printers observing the distinction. But the work of an editor of Milton, even if he be as conscientious in his drudgery as the poet in the nobler activity of composition, is a comparatively easy one; for of the Minor Poems there are only two authentic editions, of Paradise Lost two also, of Paradise Regained and of Samson Agonistes one. The editions of Tennyson's various works are so numerous that no Bibliography records them, and no single library, public or private, so far at least as I can discover, contains them.

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Excerpt from In Memoriam; The Princess; Maud
The pioneer of a critical edition of Tennyson's poems is little to be envied. Never since Milton has a poet been so fastidiously scrupulous about the minutiae of expression and language, about the exact forms of inflexion, about spelling, about the collocation of vowels and consonants, about the use of small or capital letters, about the use of italics, about punctuation. It is well known that Milton ordered the substitution of "hundreds" for "hunderds" in Paradise Lost, i. 760, and the substitution of "we" for "wee" in book ii. 414 of the same poem, to be noted specially as errata, and that he studied with the nicest care the forms of "thir" and "their," insisting importunately on the printers observing the distinction. But the work of an editor of Milton, even if he be as conscientious in his drudgery as the poet in the nobler activity of composition, is a comparatively easy one; for of the Minor Poems there are only two authentic editions, of Paradise Lost two also, of Paradise Regained and of Samson Agonistes one. The editions of Tennyson's various works are so numerous that no Bibliography records them, and no single library, public or private, so far at least as I can discover, contains them.

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