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How to See a Play
How to See a Play
54,98
61,09 €
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1929. Burton writes in the Preface: This book is aimed squarely at the theatergoer. It hopes to offer a concise general treatment upon the use of the theater, so that the person in the seat may get the most for his money; may choose his entertainment wisely, avoid that which is not worth while, and appreciate the values artistic and intellectual of what he is seeing and hearing. This purpose should be borne in mind, in reading the book, for while I trust the critic and the playwright may find t…
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How to See a Play (e-book) (used book) | Richard Burton | bookbook.eu

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1929. Burton writes in the Preface: This book is aimed squarely at the theatergoer. It hopes to offer a concise general treatment upon the use of the theater, so that the person in the seat may get the most for his money; may choose his entertainment wisely, avoid that which is not worth while, and appreciate the values artistic and intellectual of what he is seeing and hearing. This purpose should be borne in mind, in reading the book, for while I trust the critic and the playwright may find the discussion not without interest and sane in principle, the desire is primarily to put into the hands of the many who attend the playhouse a manual that will prove helpful and, so far as it goes, be an influence toward creating in this country that body of alert theater auditors without which good drama will not flourish. See other titles by this author available from Kessinger Publishing.

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1929. Burton writes in the Preface: This book is aimed squarely at the theatergoer. It hopes to offer a concise general treatment upon the use of the theater, so that the person in the seat may get the most for his money; may choose his entertainment wisely, avoid that which is not worth while, and appreciate the values artistic and intellectual of what he is seeing and hearing. This purpose should be borne in mind, in reading the book, for while I trust the critic and the playwright may find the discussion not without interest and sane in principle, the desire is primarily to put into the hands of the many who attend the playhouse a manual that will prove helpful and, so far as it goes, be an influence toward creating in this country that body of alert theater auditors without which good drama will not flourish. See other titles by this author available from Kessinger Publishing.

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