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In Honey Monster Bobby Parker uproots the confessional tradition and plants it on a British council estate. Masochistic, impolite and painfully uncomfortable, Parker writes in first person about his childhood, unafraid to show his scars, revelling in dark moments, as if bringing them to light will bring closure. Parker is a martyr to the page, writing as if nothing mattered more, with electricity in every phrase.
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In Honey Monster Bobby Parker uproots the confessional tradition and plants it on a British council estate. Masochistic, impolite and painfully uncomfortable, Parker writes in first person about his childhood, unafraid to show his scars, revelling in dark moments, as if bringing them to light will bring closure. Parker is a martyr to the page, writing as if nothing mattered more, with electricity in every phrase.
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