26,18 €
29,09 €
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Greater London
Greater London
26,18
29,09 €
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GREATER LONDON tells the life-story of Leo Barber, a celebrity across several domains. He first finds fame during the 1975 referendum on the UK's membership of the Common Market (as it was then), by inventing a character called Jimmy Paxton, a faux-innocent, rabble-rousing xenophobe. Later in life he passes himself off as a poet, whose poems were in fact generated by computer in his brother's laboratory. Later still he "authors" a book on the neuroscience of the creative mind, about which he kn…
29.09
  • Publisher:
  • ISBN-10: 1874400822
  • ISBN-13: 9781874400820
  • Format: 12.7 x 20.3 x 1.6 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Greater London (e-book) (used book) | James Russell | bookbook.eu

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GREATER LONDON tells the life-story of Leo Barber, a celebrity across several domains. He first finds fame during the 1975 referendum on the UK's membership of the Common Market (as it was then), by inventing a character called Jimmy Paxton, a faux-innocent, rabble-rousing xenophobe. Later in life he passes himself off as a poet, whose poems were in fact generated by computer in his brother's laboratory. Later still he "authors" a book on the neuroscience of the creative mind, about which he knows nothing (though luckily his clever, put-upon brother does). But, despicable though he is, who would have thought he'd stoop to murder? We hear about all this in Leo's own voice - discursive, opinionated, vulnerable, comic, often sympathetic. Not the voice or mind of a natural villain.

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  • Author: James Russell
  • Publisher:
  • ISBN-10: 1874400822
  • ISBN-13: 9781874400820
  • Format: 12.7 x 20.3 x 1.6 cm, minkšti viršeliai
  • Language: English English

GREATER LONDON tells the life-story of Leo Barber, a celebrity across several domains. He first finds fame during the 1975 referendum on the UK's membership of the Common Market (as it was then), by inventing a character called Jimmy Paxton, a faux-innocent, rabble-rousing xenophobe. Later in life he passes himself off as a poet, whose poems were in fact generated by computer in his brother's laboratory. Later still he "authors" a book on the neuroscience of the creative mind, about which he knows nothing (though luckily his clever, put-upon brother does). But, despicable though he is, who would have thought he'd stoop to murder? We hear about all this in Leo's own voice - discursive, opinionated, vulnerable, comic, often sympathetic. Not the voice or mind of a natural villain.

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