- We will send in 10–14 business days.
/images/books/4370055/9780806160306.jpg)
- Author: Ronald L Davis
- Publisher: University of Oklahoma Press
- ISBN-10: 0806160306
- ISBN-13: 9780806160306
- Format: 15.6 x 23.4 x 2.6 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
In its heyday Hollywood's big studio system mirrored the corporate ideology that catapulted the United States into economic prominence. By the mid-1920s power was consolidated into four major studios: Metro-Goldyn-Mayer, Paramount, Fox, and Warner Bros., all appropriating the assembly line approach of the Detroit automobile manufacturers. The Glamour Factory is the story of the motion picture business, told with the help of hundreds of insiders--from stars, directors, and producers to stuntmen, hairstylists, makeup artists, and publicists--who watched and contributed to the industry while magic was being made. Much of this story is drawn from the Southern Methodist University Oral History Collection on the Performing Arts, which the author founded.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 18d.14:20:35
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Ronald L Davis
- Publisher: University of Oklahoma Press
- ISBN-10: 0806160306
- ISBN-13: 9780806160306
- Format: 15.6 x 23.4 x 2.6 cm, softcover
- Language: English English
In its heyday Hollywood's big studio system mirrored the corporate ideology that catapulted the United States into economic prominence. By the mid-1920s power was consolidated into four major studios: Metro-Goldyn-Mayer, Paramount, Fox, and Warner Bros., all appropriating the assembly line approach of the Detroit automobile manufacturers. The Glamour Factory is the story of the motion picture business, told with the help of hundreds of insiders--from stars, directors, and producers to stuntmen, hairstylists, makeup artists, and publicists--who watched and contributed to the industry while magic was being made. Much of this story is drawn from the Southern Methodist University Oral History Collection on the Performing Arts, which the author founded.
Reviews