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- Author: Maryann De Julio
- Publisher: Manchester University Press
- ISBN-10: 071907794X
- ISBN-13: 9780719077944
- Format: 12.7 x 20.3 x 1.1 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
Germaine Dulac (1882-1942) was a pioneering filmmaker and feminist whose politics closely informed her theory and practice. She played a critical role in the development of cinema through more than thirty feature films and numerous documentaries and newsreels, which were underpinned by lectures, screenplays, articles, and correspondence.
Organized around the three kinds of cinema that Dulac especially promoted - 'psychological', 'pure', and 'documentary' - this book is a serious study of a major body of work. It is based on close interpretation both of Dulac's best-known films, including La Souriante Madame Beudet and La Coquille et le clergyman, and of a large corpus of work that has only recently been made available.
An important text for students and scholars of film studies, Germaine Dulac will also be of interest to those working on women's studies, gender studies, and French social and cultural history.
EXTRA 10 % discount with code: EXTRA
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- Author: Maryann De Julio
- Publisher: Manchester University Press
- ISBN-10: 071907794X
- ISBN-13: 9780719077944
- Format: 12.7 x 20.3 x 1.1 cm, hardcover
- Language: English English
Germaine Dulac (1882-1942) was a pioneering filmmaker and feminist whose politics closely informed her theory and practice. She played a critical role in the development of cinema through more than thirty feature films and numerous documentaries and newsreels, which were underpinned by lectures, screenplays, articles, and correspondence.
Organized around the three kinds of cinema that Dulac especially promoted - 'psychological', 'pure', and 'documentary' - this book is a serious study of a major body of work. It is based on close interpretation both of Dulac's best-known films, including La Souriante Madame Beudet and La Coquille et le clergyman, and of a large corpus of work that has only recently been made available.
An important text for students and scholars of film studies, Germaine Dulac will also be of interest to those working on women's studies, gender studies, and French social and cultural history.
Reviews