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Gapers' Delay
Gapers' Delay
20,87
23,19 €
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Working in the tradition of populist modernism - what William Carlos Williams called "the American Grain" - I imagined poems as essays "improvised" along the principles of spontaneous composition (the "variable foot," "composition by field"). As essays, they adhere to a multitude of popular expository genres: the oration, the rant, textual exegesis, the rap, the soliloquy and dialogue, the curse. Among contemporary writers, I drew inspiration in equal parts from Rae Armantrout, Amiri Baraka, Ka…
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Gapers' Delay (e-book) (used book) | Matthias Regan | bookbook.eu

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Working in the tradition of populist modernism - what William Carlos Williams called "the American Grain" - I imagined poems as essays "improvised" along the principles of spontaneous composition (the "variable foot," "composition by field"). As essays, they adhere to a multitude of popular expository genres: the oration, the rant, textual exegesis, the rap, the soliloquy and dialogue, the curse. Among contemporary writers, I drew inspiration in equal parts from Rae Armantrout, Amiri Baraka, Kamu Brathwaite, Bob Perelman and Robert Pinsky. I hope that this montage of styles and political orientations helps me to get at some of the precariousness of the present moment: an impossible rhythm with which Ornette Coleman helps me to make an honest peace.

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Working in the tradition of populist modernism - what William Carlos Williams called "the American Grain" - I imagined poems as essays "improvised" along the principles of spontaneous composition (the "variable foot," "composition by field"). As essays, they adhere to a multitude of popular expository genres: the oration, the rant, textual exegesis, the rap, the soliloquy and dialogue, the curse. Among contemporary writers, I drew inspiration in equal parts from Rae Armantrout, Amiri Baraka, Kamu Brathwaite, Bob Perelman and Robert Pinsky. I hope that this montage of styles and political orientations helps me to get at some of the precariousness of the present moment: an impossible rhythm with which Ornette Coleman helps me to make an honest peace.

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