Reviews
Description
From Salt Lake City, J D Moffat wrote,
"As a jazz educator and professional jazz guitarist for over 40+ years, I have not had more than a handful of students "know" the fingerboard. This book presents a logical approach to overcoming that gap. All of my students are using your book and are making good progress. Your book is a must for any serious thoughtful player who wants to be comfortable with the neck of the guitar.. ....an ongoing pursuit for us all. As you'll agree with me (I'm sure) the ear is the final dictator. As Count Basie once said," If it sounds good, it is good" Your book helps that long journey mastering the fingerboard with all the notes and leading to all the sounds. I thank you for shedding a much needed light on understanding the guitar and its never-ending challenges. And as Tal Farlow said, knowing where all the "sounds " are on the board leads to the freedom to express your soul and tell your story, I agree 100%!! That's my quote, you can use it... please do!From Salt Lake City, J D Moffat wrote,
"As a jazz educator and professional jazz guitarist for over 40+ years, I have not had more than a handful of students "know" the fingerboard. This book presents a logical approach to overcoming that gap. All of my students are using your book and are making good progress. Your book is a must for any serious thoughtful player who wants to be comfortable with the neck of the guitar.. ....an ongoing pursuit for us all. As you'll agree with me (I'm sure) the ear is the final dictator. As Count Basie once said," If it sounds good, it is good" Your book helps that long journey mastering the fingerboard with all the notes and leading to all the sounds. I thank you for shedding a much needed light on understanding the guitar and its never-ending challenges. And as Tal Farlow said, knowing where all the "sounds " are on the board leads to the freedom to express your soul and tell your story, I agree 100%!! That's my quote, you can use it... please do!
Reviews