- We will send in 10–14 business days.
/images/books/11267759/9781580460712.jpg)
- Publisher: University of Rochester Press
- ISBN-10: 1580460712
- ISBN-13: 9781580460712
- Format: 15.4 x 22.9 x 2.2 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
French Organ Music from the Revolution to Franck and Widor (e-book) (used book) | bookbook.eu
Reviews
Description
Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.
Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson, Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin SmithEXTRA 10 % discount with code: EXTRA
The promotion ends in 23d.12:53:46
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Publisher: University of Rochester Press
- ISBN-10: 1580460712
- ISBN-13: 9781580460712
- Format: 15.4 x 22.9 x 2.2 cm, minkšti viršeliai
- Language: English English
Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.
Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson, Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith
Reviews