30,32 €
33,69 €
-10% with code: EXTRA
Four Plays for Coarse Actors
Four Plays for Coarse Actors
30,32
33,69 €
  • We will send in 10–14 business days.
Hilariously, everything which can go wrong in a production does so. II Fornicazione is a "grim" tale of operatic adultery, poison and mayhem. Streuth is the crime story Agatha Christie would never have dared to write. A Collier's Tuesday Tea combines the kitchen with the coal mine with an irreverent glance at D.H. Lawrence. All's Well that Ends As You Like It pushes the genius of the bard to its limits while filching lines from most of his plays. In all, cues are missed, effects fail and props…
33.69
  • Publisher:
  • ISBN-10: 0573000085
  • ISBN-13: 9780573000089
  • Format: 14 x 21.6 x 0.6 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Four Plays for Coarse Actors (e-book) (used book) | bookbook.eu

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Hilariously, everything which can go wrong in a production does so. II Fornicazione is a "grim" tale of operatic adultery, poison and mayhem. Streuth is the crime story Agatha Christie would never have dared to write. A Collier's Tuesday Tea combines the kitchen with the coal mine with an irreverent glance at D.H. Lawrence. All's Well that Ends As You Like It pushes the genius of the bard to its limits while filching lines from most of his plays. In all, cues are missed, effects fail and props are lost and confusion reigns, but the coarse actors struggle on.

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  • Author: Michael Green
  • Publisher:
  • ISBN-10: 0573000085
  • ISBN-13: 9780573000089
  • Format: 14 x 21.6 x 0.6 cm, minkšti viršeliai
  • Language: English English

Hilariously, everything which can go wrong in a production does so. II Fornicazione is a "grim" tale of operatic adultery, poison and mayhem. Streuth is the crime story Agatha Christie would never have dared to write. A Collier's Tuesday Tea combines the kitchen with the coal mine with an irreverent glance at D.H. Lawrence. All's Well that Ends As You Like It pushes the genius of the bard to its limits while filching lines from most of his plays. In all, cues are missed, effects fail and props are lost and confusion reigns, but the coarse actors struggle on.

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