58,13 €
64,59 €
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Films That Spill
58,13 € 
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Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture. Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundar…
64.59
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- Author: Marie Sophie Beckmann
- Publisher: Rutgers University Press
- ISBN-10: 1978839650
- ISBN-13: 9781978839656
- Format: 15.4 x 23.4 x 1.4 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture. Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts. This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions. It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.EXTRA 10 % discount with code: EXTRA
58,13 €
64,59 €
We will send in 10–14 business days.
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- Author: Marie Sophie Beckmann
- Publisher: Rutgers University Press
- ISBN-10: 1978839650
- ISBN-13: 9781978839656
- Format: 15.4 x 23.4 x 1.4 cm, minkšti viršeliai
- Language: English English
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture. Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts. This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions. It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
Reviews