228,86 €
254,29 €
-10% with code: EXTRA
Film Remakes
Film Remakes
228,86
254,29 €
  • We will send in 10–14 business days.
This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors…
254.29
  • Publisher:
  • Year: 2006
  • Pages: 244
  • ISBN-10: 1403974284
  • ISBN-13: 9781403974280
  • Format: 16.6 x 23.8 x 1.7 cm, kieti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Film Remakes (e-book) (used book) | Na Na | bookbook.eu

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This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.

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  • Author: Na Na
  • Publisher:
  • Year: 2006
  • Pages: 244
  • ISBN-10: 1403974284
  • ISBN-13: 9781403974280
  • Format: 16.6 x 23.8 x 1.7 cm, kieti viršeliai
  • Language: English English

This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.

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