- We will send in 10–14 business days.
/images/books/2797186/9780064302166.jpg)
- Author: Arlene Raven
- Publisher: Routledge
- ISBN-10: 0064302164
- ISBN-13: 9780064302166
- Format: 15.3 x 22.8 x 1.5 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
From the Preface: "The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."
EXTRA 10 % discount with code: EXTRA
The promotion ends in 23d.07:04:19
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Arlene Raven
- Publisher: Routledge
- ISBN-10: 0064302164
- ISBN-13: 9780064302166
- Format: 15.3 x 22.8 x 1.5 cm, minkšti viršeliai
- Language: English English
From the Preface: "The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."
Reviews