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- Author: Laura Pontieri
- Publisher: CRC Press
- ISBN-10: 1032022574
- ISBN-13: 9781032022574
- Format: 14 x 21.6 x 1.3 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
A first and long-waited study of the directorial work of the animation master Fëdor Khitruk (1917-2012), an artist who formed in the tradition of classical cel animation only to break the conventions once he turned into a director, a liaison between artists and authorities, a personality who promoted daring films to be created in the Soviet Union dominated by socialist realism, and a teacher and supporter of young artists that continued to carry on his legacy long after the Soviet empire collapsed.
This book reveals Khitruk's mastery in the art of the moving image and his critical role as a director of films that changed the look of Soviet animation and its relation to the animation world within and beyond the Eastern Block. Based on archival research, personal interviews, published memoirs, but also perceptive analyses of Khitruk's production of films for children and adults, this study is a must-read for scholars in Soviet art and culture as well as readers fascinated by traditional animation art of the second half of the 20th century.
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- Author: Laura Pontieri
- Publisher: CRC Press
- ISBN-10: 1032022574
- ISBN-13: 9781032022574
- Format: 14 x 21.6 x 1.3 cm, hardcover
- Language: English English
A first and long-waited study of the directorial work of the animation master Fëdor Khitruk (1917-2012), an artist who formed in the tradition of classical cel animation only to break the conventions once he turned into a director, a liaison between artists and authorities, a personality who promoted daring films to be created in the Soviet Union dominated by socialist realism, and a teacher and supporter of young artists that continued to carry on his legacy long after the Soviet empire collapsed.
This book reveals Khitruk's mastery in the art of the moving image and his critical role as a director of films that changed the look of Soviet animation and its relation to the animation world within and beyond the Eastern Block. Based on archival research, personal interviews, published memoirs, but also perceptive analyses of Khitruk's production of films for children and adults, this study is a must-read for scholars in Soviet art and culture as well as readers fascinated by traditional animation art of the second half of the 20th century.
Reviews