47,42 €
52,69 €
-10% with code: EXTRA
Evidence of Being Here
Evidence of Being Here
47,42
52,69 €
  • We will send in 10–14 business days.
From Lazer's ambitious ten-year Notebook shape-writing project, Evidence of Being Here: Beginning in Havana (N27) challenges the way we read and write poetry and reframes the terms of spiritual autobiography. Though Lazer's handwritten shape-writing presents itself most obviously and initially as a visual experience - the shape of thinking itself embodied in the improvisation of each page - this book is also infused with the overlapping ways in which we both hear and are here. Beginning with La…
52.69
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Evidence of Being Here (e-book) (used book) | Hank Lazer | bookbook.eu

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From Lazer's ambitious ten-year Notebook shape-writing project, Evidence of Being Here: Beginning in Havana (N27) challenges the way we read and write poetry and reframes the terms of spiritual autobiography. Though Lazer's handwritten shape-writing presents itself most obviously and initially as a visual experience - the shape of thinking itself embodied in the improvisation of each page - this book is also infused with the overlapping ways in which we both hear and are here. Beginning with Lazer's fourth trip to Havana (and two noteworthy jazz-poetry concerts with saxophonist Andrew Raffo Dewar), music itself and the music of the shape-written poetry is crucial to this book, just as is an ever-shifting investigation of how we are here: what it means to be in a specific place. Drawing on Merleau-Ponty's Phenomenology of Perception, Lazer creates immediately accessible and beautifully drawn intervals of consciousness that is a unique contribution to American poetry.

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From Lazer's ambitious ten-year Notebook shape-writing project, Evidence of Being Here: Beginning in Havana (N27) challenges the way we read and write poetry and reframes the terms of spiritual autobiography. Though Lazer's handwritten shape-writing presents itself most obviously and initially as a visual experience - the shape of thinking itself embodied in the improvisation of each page - this book is also infused with the overlapping ways in which we both hear and are here. Beginning with Lazer's fourth trip to Havana (and two noteworthy jazz-poetry concerts with saxophonist Andrew Raffo Dewar), music itself and the music of the shape-written poetry is crucial to this book, just as is an ever-shifting investigation of how we are here: what it means to be in a specific place. Drawing on Merleau-Ponty's Phenomenology of Perception, Lazer creates immediately accessible and beautifully drawn intervals of consciousness that is a unique contribution to American poetry.

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