365,12 €
405,69 €
-10% with code: EXTRA
Euripides' Alcestis
Euripides' Alcestis
365,12
405,69 €
  • We will send in 10–14 business days.
This volume is an accessible yet in-depth narratological study of Euripides' Alcestis - the earliest extant play of Euripides and one of the most experimental masterpieces of Greek tragedy, not only standing in place of a satyr-play but also preserving at least some of its typical features. Commencing from the widely-held view, so lamentably ignored within the domain of Classics, that a narratology of drama should be predicated upon the notion of narrative as verbal, as well as visual, renditio…
  • Publisher:
  • Year: 2013
  • Pages: 223
  • ISBN-10: 3110330857
  • ISBN-13: 9783110330854
  • Format: 16.3 x 23.4 x 1.8 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

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This volume is an accessible yet in-depth narratological study of Euripides' Alcestis - the earliest extant play of Euripides and one of the most experimental masterpieces of Greek tragedy, not only standing in place of a satyr-play but also preserving at least some of its typical features. Commencing from the widely-held view, so lamentably ignored within the domain of Classics, that a narratology of drama should be predicated upon the notion of narrative as verbal, as well as visual, rendition of a story, this unique volume contextualizes the play in terms of its reception by the original audience, locating the intricate narrative tropes of the plot in the dynamics of fifth-century Athenian mythology and religion.

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  • Author: Andreas Markantonatos
  • Publisher:
  • Year: 2013
  • Pages: 223
  • ISBN-10: 3110330857
  • ISBN-13: 9783110330854
  • Format: 16.3 x 23.4 x 1.8 cm, hardcover
  • Language: English English

This volume is an accessible yet in-depth narratological study of Euripides' Alcestis - the earliest extant play of Euripides and one of the most experimental masterpieces of Greek tragedy, not only standing in place of a satyr-play but also preserving at least some of its typical features. Commencing from the widely-held view, so lamentably ignored within the domain of Classics, that a narratology of drama should be predicated upon the notion of narrative as verbal, as well as visual, rendition of a story, this unique volume contextualizes the play in terms of its reception by the original audience, locating the intricate narrative tropes of the plot in the dynamics of fifth-century Athenian mythology and religion.

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