- We will send in 10–14 business days.
/images/books/5799929/9781138779259.jpg)
- Author: Karen Chase
- Publisher: Routledge
- ISBN-10: 1138779253
- ISBN-13: 9781138779259
- Format: 14 x 21.6 x 1.2 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
How does Victorian fiction represent personality? How does it express emotion and how does it imagine the mind? These questions stand at the centre of Eros and Psyche, first published in 1984. In examining how three authors - Charlotte Brontë, Charles Dickens and George Eliot - depict the mind and organise emotion, Chase approaches their works as expressive structures, and analyses their struggle to accommodate rival imperatives in depicting personality: desire and duty, guilt and innocence, love and autonomy.
The title begins with Brontë's early Angrian tales, which introduce the problem that unifies the book: the attempt of Victorian fiction to escape the constraints of the romance mode, while assimilating its energies. There follow readings of The Pickwick Papers, Jane Eyre, Bleak House, and Middlemarch, in the light of such problems as confinement and exposure in Brontë, tragic doubt in Dickens, and the image of the moral mind in George Eliot.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 21d.14:41:23
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Karen Chase
- Publisher: Routledge
- ISBN-10: 1138779253
- ISBN-13: 9781138779259
- Format: 14 x 21.6 x 1.2 cm, minkšti viršeliai
- Language: English English
How does Victorian fiction represent personality? How does it express emotion and how does it imagine the mind? These questions stand at the centre of Eros and Psyche, first published in 1984. In examining how three authors - Charlotte Brontë, Charles Dickens and George Eliot - depict the mind and organise emotion, Chase approaches their works as expressive structures, and analyses their struggle to accommodate rival imperatives in depicting personality: desire and duty, guilt and innocence, love and autonomy.
The title begins with Brontë's early Angrian tales, which introduce the problem that unifies the book: the attempt of Victorian fiction to escape the constraints of the romance mode, while assimilating its energies. There follow readings of The Pickwick Papers, Jane Eyre, Bleak House, and Middlemarch, in the light of such problems as confinement and exposure in Brontë, tragic doubt in Dickens, and the image of the moral mind in George Eliot.
Reviews