128,78 €
143,09 €
-10% with code: EXTRA
Enter The Body
128,78 € 
- We will send in 10–14 business days.
Enter the Body offers a series of provocative case studies of the work women's bodies do on Shakespeare's intensely body-conscious stage. Rutter's topics are sex, death, race, gender, culture, politics, and the excessive performative body that exceeds the playtext it inhabits. As well as drawing upon vital primary documents from Shakespeare's day, Rutter offers close readings of women's performance's on stage and film in Britian today, from Peggy Ashcroft's (white) Cleopatra and Whoopi Goldberg…
/images/books/3415097/9780415141642.jpg)
- Author: Carol Chillington Rutter
- Publisher: Routledge
- ISBN-10: 0415141648
- ISBN-13: 9780415141642
- Format: 14 x 21.6 x 1.3 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
Enter the Body offers a series of provocative case studies of the work women's bodies do on Shakespeare's intensely body-conscious stage. Rutter's topics are sex, death, race, gender, culture, politics, and the excessive performative body that exceeds the playtext it inhabits. As well as drawing upon vital primary documents from Shakespeare's day, Rutter offers close readings of women's performance's on stage and film in Britian today, from Peggy Ashcroft's (white) Cleopatra and Whoopi Goldberg's (whiteface) African Queen to Sally Dexter's languorous Helen and Alan Howard's raver 'Queen' of Troy.EXTRA 10 % discount with code: EXTRA
128,78 €
143,09 €
We will send in 10–14 business days.
The promotion ends in 14d.22:47:44
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Carol Chillington Rutter
- Publisher: Routledge
- ISBN-10: 0415141648
- ISBN-13: 9780415141642
- Format: 14 x 21.6 x 1.3 cm, softcover
- Language: English English
Enter the Body offers a series of provocative case studies of the work women's bodies do on Shakespeare's intensely body-conscious stage. Rutter's topics are sex, death, race, gender, culture, politics, and the excessive performative body that exceeds the playtext it inhabits. As well as drawing upon vital primary documents from Shakespeare's day, Rutter offers close readings of women's performance's on stage and film in Britian today, from Peggy Ashcroft's (white) Cleopatra and Whoopi Goldberg's (whiteface) African Queen to Sally Dexter's languorous Helen and Alan Howard's raver 'Queen' of Troy.
Reviews