732,59 €
813,99 €
-10% with code: EXTRA
English Drama 1586-1642
English Drama 1586-1642
732,59
813,99 €
  • We will send in 10–14 business days.
Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how…
  • Publisher:
  • ISBN-10: 0198122136
  • ISBN-13: 9780198122135
  • Format: 14 x 21.6 x 4 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

English Drama 1586-1642 (e-book) (used book) | G K Hunter | bookbook.eu

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Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how Shakespeare and his fellow dramatists were able to move easily from vulgar realism to poetic transcendence.

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  • Author: G K Hunter
  • Publisher:
  • ISBN-10: 0198122136
  • ISBN-13: 9780198122135
  • Format: 14 x 21.6 x 4 cm, hardcover
  • Language: English English

Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how Shakespeare and his fellow dramatists were able to move easily from vulgar realism to poetic transcendence.

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