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- Author: Leonard B Meyer
- Publisher: University of Chicago Press
- Pages: 307
- ISBN-10: 0226521397
- ISBN-13: 9780226521398
- Format: 13.1 x 20.5 x 1.7 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning.--David Kraehenbuehl, Journal of Music Theory This is the best study of its kind to have come to the attention of this reviewer.--Jules Wolffers, The Christian Science Monitor
It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art.--David P. McAllester, American Anthropologist A book which should be read by all who want deeper insights into music listening, performing, and composing.--Marcus G. Raskin, Chicago ReviewEXTRA 10 % discount with code: EXTRA
The promotion ends in 18d.14:36:28
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Leonard B Meyer
- Publisher: University of Chicago Press
- Pages: 307
- ISBN-10: 0226521397
- ISBN-13: 9780226521398
- Format: 13.1 x 20.5 x 1.7 cm, softcover
- Language: English English
Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning.--David Kraehenbuehl, Journal of Music Theory This is the best study of its kind to have come to the attention of this reviewer.--Jules Wolffers, The Christian Science Monitor
It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art.--David P. McAllester, American Anthropologist A book which should be read by all who want deeper insights into music listening, performing, and composing.--Marcus G. Raskin, Chicago Review
Reviews