57,86 €
64,29 €
-10% with code: EXTRA
Dreaming Down the Track
Dreaming Down the Track
57,86
64,29 €
  • We will send in 10–14 business days.
What can Aboriginal filmmaking reveal about Indigenous presence and futures? The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Ku…
64.29
  • SAVE -10% with code: EXTRA

Dreaming Down the Track (e-book) (used book) | bookbook.eu

Reviews

Description

What can Aboriginal filmmaking reveal about Indigenous presence and futures?

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth.

William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them.

Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal-State relations are represented and understood, both within communities and for the broader public. Throughout, Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures.

EXTRA 10 % discount with code: EXTRA

57,86
64,29 €
We will send in 10–14 business days.

The promotion ends in 23d.23:01:39

The discount code is valid when purchasing from 10 €. Discounts do not stack.

Log in and for this item
you will receive 0,64 Book Euros!?

What can Aboriginal filmmaking reveal about Indigenous presence and futures?

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth.

William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them.

Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal-State relations are represented and understood, both within communities and for the broader public. Throughout, Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures.

Reviews

  • No reviews
0 customers have rated this item.
5
0%
4
0%
3
0%
2
0%
1
0%
(will not be displayed)