154,79 €
171,99 €
-10% with code: EXTRA
Don Dudley: Early Work
Don Dudley: Early Work
154,79
171,99 €
  • We will send in 10–14 business days.
The work of New York-based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and '70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: As if made for a Euclidean mystery cult, [Dudley's work] is classically modern and modernistically timeless. This publication, a substantial hardcov…
171.99
  • Publisher:
  • Year: 2016
  • Pages: 240
  • ISBN-10: 3863357647
  • ISBN-13: 9783863357641
  • Format: 24.9 x 28.5 x 3.1 cm, kieti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Don Dudley: Early Work (e-book) (used book) | bookbook.eu

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The work of New York-based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and '70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: As if made for a Euclidean mystery cult, [Dudley's work] is classically modern and modernistically timeless. This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley's minimalism, with its striking optical effects and its ongoing exploration of object, surface and color.

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  • Publisher:
  • Year: 2016
  • Pages: 240
  • ISBN-10: 3863357647
  • ISBN-13: 9783863357641
  • Format: 24.9 x 28.5 x 3.1 cm, kieti viršeliai
  • Language: English English

The work of New York-based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and '70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: As if made for a Euclidean mystery cult, [Dudley's work] is classically modern and modernistically timeless. This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley's minimalism, with its striking optical effects and its ongoing exploration of object, surface and color.

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