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Critics who hold that postmodernist art is essentially adversarial and apolitical have ignored the historical context of the postmodern focus on the problems of language. Paul Maltby examines a major current of postmodernist fiction that can be read as a dissident response to developments of late capitalism that have transformed the field of language and communication.
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Critics who hold that postmodernist art is essentially adversarial and apolitical have ignored the historical context of the postmodern focus on the problems of language. Paul Maltby examines a major current of postmodernist fiction that can be read as a dissident response to developments of late capitalism that have transformed the field of language and communication.
Reviews