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Dissertation First
Dissertation First
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Excerpt from Dissertation First: Exhibiting a General View of the Progress of Metaphysical and Ethical Philosophy, Since the Revival of Letters in EuropeIn treating of the first of these subjects, it cannot be denied that d'alembert has displayed much ingenuity and invention but the depth and solidity of his general train of thought may be questioned. On various occasions, he has evidently suffered himself to be misled by a spirit of false refinement; and on others, where probably he was fully…
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Excerpt from Dissertation First: Exhibiting a General View of the Progress of Metaphysical and Ethical Philosophy, Since the Revival of Letters in Europe

In treating of the first of these subjects, it cannot be denied that d'alembert has displayed much ingenuity and invention but the depth and solidity of his general train of thought may be questioned. On various occasions, he has evidently suffered himself to be misled by a spirit of false refinement; and on others, where probably he was fully aware of his inability to render the theoretical chain complete he seems to have aimed at concealing from his readers the faulty links, by availing himself of those epigrammatic points, and other artifices of style, with which the genius of the French language enables a skilful writer to smooth and varnish over his most illogical transitions.

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Excerpt from Dissertation First: Exhibiting a General View of the Progress of Metaphysical and Ethical Philosophy, Since the Revival of Letters in Europe

In treating of the first of these subjects, it cannot be denied that d'alembert has displayed much ingenuity and invention but the depth and solidity of his general train of thought may be questioned. On various occasions, he has evidently suffered himself to be misled by a spirit of false refinement; and on others, where probably he was fully aware of his inability to render the theoretical chain complete he seems to have aimed at concealing from his readers the faulty links, by availing himself of those epigrammatic points, and other artifices of style, with which the genius of the French language enables a skilful writer to smooth and varnish over his most illogical transitions.

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