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Disney is a force of formative power in contemporary pop culture, which underscores the worth of engaging it apologetically. Walt Disney became a pioneer in twentieth-century musical animation and animated features, and an exemplar for using a nonsectarian canon of narratives in order to argue, subtly, for an objective moral truth and goodness that will overcome all evil, and the beauty of a kingdom inhabited by virtuous characters. Pop-culture narratives (like Disney films) possess a power to make abstract ideas more accessible. We do not so easily feel propositions, and so we do not necessarily feel the force of an abstract argument. A good story, on the other hand, like good music (and Disney gives us both), has more direct power to move us. This duology-two works in one-considers how Disney stories are enfolded by Christian moral theology. The first book explores how Disney can serve as an effective aid in cultural apologetics and moral dialogue. The second work, an edited volume featuring a number of scholars from differing backgrounds, investigates the power of imaginative storytelling, explores Disney's live-action animation and musical allure through the lens of aesthetics apologetics, and approaches a number of popular Disney narratives in order to draw out the moral and theological significance of these beloved Disney tales. "Enter into a serious examination of the whimsical worlds created by the kingdom of Disney through the eyes of those inhabiting a Kingdom centered in another world-the Kingdom of Christ. You will discover why Disney's moral logic of good and evil, darkness and light, move us toward affirming goodness and justice."EXTRA 10 % discount with code: EXTRA
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