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- Author: Mariana Dimópulos
- Publisher: TRANSIT BOOKS
- Year: 2021
- Pages: 120
- ISBN-10: 1945492554
- ISBN-13: 9781945492556
- Format: 12.8 x 19.8 x 1.1 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
A new mother holds her month-old son for the first time, but her body betrays her with an absence of feeling. Disoriented, she wanders with her partner around their plant-filled Buenos Aires apartment. Set over the course of an evening, and a lifetime, Imminence shifts seamlessly between the present and the past. Little by little, her world begins to unravel.
In a dreamlike space composed of overlapping vignettes, Irina retraces the mirrored paths of a life filled with images that swell and recede, recalling the intimacies and anxieties she has shared with her female friends, and with her male lovers: Pedro, Ivan, and the sinister Cousin. Feeling herself caught in a web of obligations, she insists time and again: “I’m not a woman.”
Mariana Dimópulos’s mesmerising novel reinforces her standing as one of the most expressive and inventive of contemporary Latin American writers.
The promotion ends in 
- Author: Mariana Dimópulos
- Publisher: TRANSIT BOOKS
- Year: 2021
- Pages: 120
- ISBN-10: 1945492554
- ISBN-13: 9781945492556
- Format: 12.8 x 19.8 x 1.1 cm, minkšti viršeliai
- Language: English English
A new mother holds her month-old son for the first time, but her body betrays her with an absence of feeling. Disoriented, she wanders with her partner around their plant-filled Buenos Aires apartment. Set over the course of an evening, and a lifetime, Imminence shifts seamlessly between the present and the past. Little by little, her world begins to unravel.
In a dreamlike space composed of overlapping vignettes, Irina retraces the mirrored paths of a life filled with images that swell and recede, recalling the intimacies and anxieties she has shared with her female friends, and with her male lovers: Pedro, Ivan, and the sinister Cousin. Feeling herself caught in a web of obligations, she insists time and again: “I’m not a woman.”
Mariana Dimópulos’s mesmerising novel reinforces her standing as one of the most expressive and inventive of contemporary Latin American writers.
Reviews