204,02 €
226,69 €
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Dialectics Without Synthesis
204,02 € 
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Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-h…
226.69
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- Author: Naoki Yamamoto
- Publisher: University of California Press
- ISBN-10: 0520351797
- ISBN-13: 9780520351790
- Format: 15 x 23.1 x 2 cm, kieti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the West and the non-West are challenged through a radical reconfiguration of the geopolitics of knowledge production and consumption.EXTRA 10 % discount with code: EXTRA
204,02 €
226,69 €
We will send in 10–14 business days.
The promotion ends in 23d.18:19:45
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Naoki Yamamoto
- Publisher: University of California Press
- ISBN-10: 0520351797
- ISBN-13: 9780520351790
- Format: 15 x 23.1 x 2 cm, kieti viršeliai
- Language: English English
Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the West and the non-West are challenged through a radical reconfiguration of the geopolitics of knowledge production and consumption.
Reviews