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This book suggests ways in which Debussy's sketches and drafts may be used to explain how he composed one of his last great symphonic scores: Ibéria (from mages for orchestra, 1903-10). Part 1 shows how we might understand the process of musical composition as a form of expert problem solving; Part 2 reconstructs the genesis of each of the three movements in turn.
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This book suggests ways in which Debussy's sketches and drafts may be used to explain how he composed one of his last great symphonic scores: Ibéria (from mages for orchestra, 1903-10). Part 1 shows how we might understand the process of musical composition as a form of expert problem solving; Part 2 reconstructs the genesis of each of the three movements in turn.
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