18,89 €
20,99 €
-10% with code: EXTRA
Dangerous Caprices
Dangerous Caprices
18,89
20,99 €
  • We will send in 10–14 business days.
The only difference between a caprice and a lifelong passion is that the caprice lasts a little longerOscar Wilde The Picture of Dorian GrayNora Iuga created her title from this half-remembered quotation.Already at the age of 67 when Iuga brought out this collection, her typical subject-matter of love and sensuality and relationships had extended to include leave-taking and death - as well as language itself. Writing has a redemptive effect, and is sometimes the only way out of despair: her 'ba…
20.99
  • Publisher:
  • ISBN-10: 1910981281
  • ISBN-13: 9781910981283
  • Format: 12.9 x 19.8 x 0.6 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Dangerous Caprices (e-book) (used book) | Nora Iuga | bookbook.eu

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The only difference between a caprice and a lifelong passion is that the caprice lasts a little longer

Oscar Wilde The Picture of Dorian Gray


Nora Iuga created her title from this half-remembered quotation.Already at the age of 67 when Iuga brought out this collection, her typical subject-matter of love and sensuality and relationships had extended to include leave-taking and death - as well as language itself. Writing has a redemptive effect, and is sometimes the only way out of despair: her 'ballpoint pen is equal to god'. This collection encompasses elements of surreality, captivating the reader with unexpected imagery. There is wistfulness, too, but Iuga is never bitter, and an undertone of irony is ever-present.


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  • Author: Nora Iuga
  • Publisher:
  • ISBN-10: 1910981281
  • ISBN-13: 9781910981283
  • Format: 12.9 x 19.8 x 0.6 cm, minkšti viršeliai
  • Language: English English

The only difference between a caprice and a lifelong passion is that the caprice lasts a little longer

Oscar Wilde The Picture of Dorian Gray


Nora Iuga created her title from this half-remembered quotation.Already at the age of 67 when Iuga brought out this collection, her typical subject-matter of love and sensuality and relationships had extended to include leave-taking and death - as well as language itself. Writing has a redemptive effect, and is sometimes the only way out of despair: her 'ballpoint pen is equal to god'. This collection encompasses elements of surreality, captivating the reader with unexpected imagery. There is wistfulness, too, but Iuga is never bitter, and an undertone of irony is ever-present.


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