75,59 €
83,99 €
-10% with code: EXTRA
Curating Pop
75,59 € 
- We will send in 10–14 business days.
Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the s…
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- Author: Sarah Baker
- Publisher: Bloomsbury Publishing PLC
- ISBN-10: 1501343580
- ISBN-13: 9781501343582
- Format: 15 x 22.6 x 1.8 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.EXTRA 10 % discount with code: EXTRA
75,59 €
83,99 €
We will send in 10–14 business days.
The promotion ends in 19d.14:36:06
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Sarah Baker
- Publisher: Bloomsbury Publishing PLC
- ISBN-10: 1501343580
- ISBN-13: 9781501343582
- Format: 15 x 22.6 x 1.8 cm, softcover
- Language: English English
Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.
Reviews