- We will send in 10–14 business days.
/images/books/4293586/9780786440306.jpg)
- Publisher: McFarland and Company, Inc.
- ISBN-10: 0786440309
- ISBN-13: 9780786440306
- Format: 15 x 22.6 x 1.8 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Critical Perspectives on Philip Pullman's His Dark Materials (e-book) (used book) | bookbook.eu
Reviews
Description
Philip Pullman's His Dark Materials stands as a landmark in fantasy literature. Comprised of the novels The Golden Compass, The Subtle Knife, and The Amber Spyglass, the award-winning epic trilogy has been adapted for radio, stage, and film in both Britain and the United States, though it remains controversial for its negative depiction of religion. Herein, scholars from various literary, philosophical, and theatrical fields explore His Dark Materials, addressing numerous topics relevant to reading, studying and understanding the work, including its basis in Milton's Paradise Lost; the influence of science fiction on the series; issues of social class, religion, sexuality, and gender; postcolonial perspectives; and recent stage productions.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 20d.15:09:57
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Publisher: McFarland and Company, Inc.
- ISBN-10: 0786440309
- ISBN-13: 9780786440306
- Format: 15 x 22.6 x 1.8 cm, softcover
- Language: English English
Philip Pullman's His Dark Materials stands as a landmark in fantasy literature. Comprised of the novels The Golden Compass, The Subtle Knife, and The Amber Spyglass, the award-winning epic trilogy has been adapted for radio, stage, and film in both Britain and the United States, though it remains controversial for its negative depiction of religion. Herein, scholars from various literary, philosophical, and theatrical fields explore His Dark Materials, addressing numerous topics relevant to reading, studying and understanding the work, including its basis in Milton's Paradise Lost; the influence of science fiction on the series; issues of social class, religion, sexuality, and gender; postcolonial perspectives; and recent stage productions.
Reviews