234,98 €
261,09 €
-10% with code: EXTRA
Contemporary Latina/O Performing Arts of Moraga, Tropicana, Fusco, and Bustamante
234,98 € 
- We will send in 10–14 business days.
Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists - CherrÃe Moraga, Carmelita Tropicana, Coco Fusco, and Não Bustamante - challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize…
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- Publisher: Peter Lang Inc., International Academic Publishers
- ISBN-10: 0820474290
- ISBN-13: 9780820474298
- Format: 15.2 x 22.9 x 1 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
Contemporary Latina/O Performing Arts of Moraga, Tropicana, Fusco, and Bustamante (e-book) (used book) | bookbook.eu
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Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists - CherrÃe Moraga, Carmelita Tropicana, Coco Fusco, and Não Bustamante - challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize the subject in literary theory.EXTRA 10 % discount with code: EXTRA
234,98 €
261,09 €
We will send in 10–14 business days.
The promotion ends in 19d.08:23:02
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Publisher: Peter Lang Inc., International Academic Publishers
- ISBN-10: 0820474290
- ISBN-13: 9780820474298
- Format: 15.2 x 22.9 x 1 cm, hardcover
- Language: English English
Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists - CherrÃe Moraga, Carmelita Tropicana, Coco Fusco, and Não Bustamante - challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize the subject in literary theory.
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