- We will send in 10–14 business days.
/images/books/4150641/9780719060083.jpg)
- Author: Hyangjin Lee
- Publisher: Manchester University Press
- ISBN-10: 0719060087
- ISBN-13: 9780719060083
- Format: 13.7 x 21.3 x 1.8 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 18d.08:19:39
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Hyangjin Lee
- Publisher: Manchester University Press
- ISBN-10: 0719060087
- ISBN-13: 9780719060083
- Format: 13.7 x 21.3 x 1.8 cm, softcover
- Language: English English
The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
Reviews