- We will send in 10–14 business days.
/images/books/2985722/9780262680967.jpg)
- Author: John Rajchman
- Publisher: MIT Press
- ISBN-10: 0262680963
- ISBN-13: 9780262680967
- Format: 13.8 x 20.2 x 0.9 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
In this series of overlapping essays on architecture and art, JohnRajchman attempts to do theory in a new way that takes off from the philosophy of the late Gilles Deleuze.foreword by Paul Virilio. In this series of overlapping essays on architecture and art, John Rajchman attempts to do theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he embarks on a conceptual voyage whose aim is to help construct a new space of connections, to build a new idiom, perhaps even to suggest a new architecture. Along the way, he addresses questions of the new abstraction, operative form, other geometries, new technologies, global cities, ideas of the virtual and the formless, and possibilities for critical theory after utopia and transgression.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 17d.06:39:45
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: John Rajchman
- Publisher: MIT Press
- ISBN-10: 0262680963
- ISBN-13: 9780262680967
- Format: 13.8 x 20.2 x 0.9 cm, softcover
- Language: English English
foreword by Paul Virilio. In this series of overlapping essays on architecture and art, John Rajchman attempts to do theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he embarks on a conceptual voyage whose aim is to help construct a new space of connections, to build a new idiom, perhaps even to suggest a new architecture. Along the way, he addresses questions of the new abstraction, operative form, other geometries, new technologies, global cities, ideas of the virtual and the formless, and possibilities for critical theory after utopia and transgression.
Reviews