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After one of the great creative periods of western drama in the late nineteenth and the twentieth century with their experimental brashness and their intellectual reach (once celebrated by critic Eric Bentley in his seminal The Playwright as Thinker) western drama in our time has by and large folded its hands and taken up residence in the cliche marketplace, shriveling its ambition, narrowing its strategies, settling for the intellectually bland, and justifying its sluggishness by worn-out critical pieties. Cleaning Augean Stables Examining Drama's Strategies addresses that failure in four ways:
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After one of the great creative periods of western drama in the late nineteenth and the twentieth century with their experimental brashness and their intellectual reach (once celebrated by critic Eric Bentley in his seminal The Playwright as Thinker) western drama in our time has by and large folded its hands and taken up residence in the cliche marketplace, shriveling its ambition, narrowing its strategies, settling for the intellectually bland, and justifying its sluggishness by worn-out critical pieties. Cleaning Augean Stables Examining Drama's Strategies addresses that failure in four ways:
Reviews