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Citizen Gallery the Gandhys of Chemould and the Birth of Modern Art in Bombay
Citizen Gallery the Gandhys of Chemould and the Birth of Modern Art in Bombay
61,28
68,09 €
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Now a byword in the art world, the story of Gallery Chemould begins inthe 1940s when Kekoo Gandhy decided to set up a picture-framing store onPrincess Street. To this store, Chemould Frames, came the likes of K.H. Ara, M.F. Husain, S.H. Raza, F.N. Souza, and others who called themselves theProgressive Artists Group. Husain sold his first canvas from that very window.Kekoo Gandhy brought in the few rich buyers there were in those daysincluding the scientist Homi Bhabha and the industrialist Nava…
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Citizen Gallery the Gandhys of Chemould and the Birth of Modern Art in Bombay (e-book) (used book) | bookbook.eu

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Now a byword in the art world, the story of Gallery Chemould begins in

the 1940s when Kekoo Gandhy decided to set up a picture-framing store on

Princess Street. To this store, Chemould Frames, came the likes of K.H. Ara,

M.F. Husain, S.H. Raza, F.N. Souza, and others who called themselves the

Progressive Artists Group. Husain sold his first canvas from that very window.

Kekoo Gandhy brought in the few rich buyers there were in those days

including the scientist Homi Bhabha and the industrialist Naval Tata.

In the 1960s, the manager of the Jehangir Art Gallery invited his friends

Kekoo and Khorshed to start an art gallery in an empty space on the first

floor. On 16 September 1963, Gallery Chemould opened its doors to the

world with an exhibition of paintings by K.K. Hebbar, V.S. Gaitonde, Laxman

Pai and several others from the growing community of Indian painters. It

became the training ground for the eyes of the city.

Eventually Chemould moved to an expansive new space: Chemould Prescott

Road, now run by their daughter, Shireen Jungalwala. The gallery's new avatar

continues to champion modern art with a range of brilliant artists from Vivan

Sundaram through Neelima Sheikh and Atul and Anju Dodiya, to Jitesh Kallat

and Reena Saini-Kallat.

Did Gallery Chemould play midwife to the Progressives? Can a gallery be a

responsible citizen? Read on then

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  • Author: Jerry Pinto
  • Publisher:
  • ISBN-10: 9390477212
  • ISBN-13: 9789390477210
  • Format: 15.2 x 22.9 x 1.9 cm, minkšti viršeliai
  • Language: English English

Now a byword in the art world, the story of Gallery Chemould begins in

the 1940s when Kekoo Gandhy decided to set up a picture-framing store on

Princess Street. To this store, Chemould Frames, came the likes of K.H. Ara,

M.F. Husain, S.H. Raza, F.N. Souza, and others who called themselves the

Progressive Artists Group. Husain sold his first canvas from that very window.

Kekoo Gandhy brought in the few rich buyers there were in those days

including the scientist Homi Bhabha and the industrialist Naval Tata.

In the 1960s, the manager of the Jehangir Art Gallery invited his friends

Kekoo and Khorshed to start an art gallery in an empty space on the first

floor. On 16 September 1963, Gallery Chemould opened its doors to the

world with an exhibition of paintings by K.K. Hebbar, V.S. Gaitonde, Laxman

Pai and several others from the growing community of Indian painters. It

became the training ground for the eyes of the city.

Eventually Chemould moved to an expansive new space: Chemould Prescott

Road, now run by their daughter, Shireen Jungalwala. The gallery's new avatar

continues to champion modern art with a range of brilliant artists from Vivan

Sundaram through Neelima Sheikh and Atul and Anju Dodiya, to Jitesh Kallat

and Reena Saini-Kallat.

Did Gallery Chemould play midwife to the Progressives? Can a gallery be a

responsible citizen? Read on then

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