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Traces the history of obsessive love and erotic fixation in the cinema. This volume explores how seminal films such as The Blue Angel (1930), Peter Ibbetson (1935), and Phantom of the Opera (1943) set a precedent for films to follow.
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Traces the history of obsessive love and erotic fixation in the cinema. This volume explores how seminal films such as The Blue Angel (1930), Peter Ibbetson (1935), and Phantom of the Opera (1943) set a precedent for films to follow.
Reviews