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- Author: Ronald Gray
- Publisher: Cambridge University Press
- ISBN-10: 0521290031
- ISBN-13: 9780521290036
- Format: 14 x 21.6 x 1.4 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
In this 1976 introduction to Brecht's theatre and theory, Ronald Gray explores the dramatist's interacting roles as a committed Marxist seeking to influence audiences and as one of the most innovative craftsmen ever to work in the theatre. Dr Gray traces the development of Brecht's dramatic work in the context of his life and time and discussed its significance, devoting chapters to reappraisals of the major plays. Particular attention is paid to Brecht's dramatic theories and their relationship to Hegelian and Marxist philosophy, to the tradition of political theatre in Germany in the nineteenth and twentieth centuries and to the influence Brecht had on English and American post-war drama. There are also detailed accounts of how many of the plays appeared in Brecht's own productions, and frequent references to actual performances in widely differing theatrical styles.
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- Author: Ronald Gray
- Publisher: Cambridge University Press
- ISBN-10: 0521290031
- ISBN-13: 9780521290036
- Format: 14 x 21.6 x 1.4 cm, minkšti viršeliai
- Language: English English
In this 1976 introduction to Brecht's theatre and theory, Ronald Gray explores the dramatist's interacting roles as a committed Marxist seeking to influence audiences and as one of the most innovative craftsmen ever to work in the theatre. Dr Gray traces the development of Brecht's dramatic work in the context of his life and time and discussed its significance, devoting chapters to reappraisals of the major plays. Particular attention is paid to Brecht's dramatic theories and their relationship to Hegelian and Marxist philosophy, to the tradition of political theatre in Germany in the nineteenth and twentieth centuries and to the influence Brecht had on English and American post-war drama. There are also detailed accounts of how many of the plays appeared in Brecht's own productions, and frequent references to actual performances in widely differing theatrical styles.
Reviews